Barking & Biting. Sina Queyras. Selected and with an introduction by Erin Wunker. Laurier Poetry Series. Wilfrid Laurier University Press. Waterloo, Ontario. 2016.
"I am not interested in other words for honey. I am interested in honey."
- Sina Queyras, "Water, Water Everywhere"
Queyras wants to be clear and she is. This is a straight shot across the bow, full of intent.
Today's book of poetry likes a list poem and Sina Queyras gives us a lemon-tart sparkler with "If Only." Poetry this smart is always going to turn heads and if Queyras has her way those heads will be more sympathetic, empathetic, reasonable.
If only men were more feminine. If only Judaism were
more feminine. If only industry were more feminine.
If only bridges were more feminine. If only trucks
were more feminine. If only airplanes were more
feminine. If only fruit were more feminine. If only
engines were more feminine. If only economics were
more feminine. If only test tubes were more femi-
nine. If only physicists were more feminine. If only
space were more feminine. If only Hollywood were
more feminine. If only America were more feminine.
If only farmyards were more feminine. If only the
weather were more feminine. If only Islam were more
feminine. If only engineers were more feminine. If
only city planners were more feminine. If only femi-
nists were more feminine. If only Catholicism were
more feminine. If only politicians were more femi-
nine. If only astronauts were more feminine. If only
corporations were more feminine. If only women
were more feminine. If only what was feminine were
firm. If only there were slots. If only things fit inside.
Barking & Biting is a tasting menu of sorts brought to you courtesy of the deft hand of Erin Wunker. Wunker's choices nip and tuck from some much longer works to bring us surprisingly self contained poetic essays on gender with both Holly Golightly and Virginia Woolf among the cast of luminaries.
And exactly as a tasting menu should, these bites leave us wanting more.
Sina Queyras writes poems that evolve in front of your eyes, they play with being short stories, novellas, epic. Queyras has much to say about gender in these poems and her articulate charms add gravitas but never vitriol.
From Meanwhile, elsewhere, otherwise
"Some other poets and the puddle"
'When for no reason I could discover, every-
thing suddenly became unreal.'
She didn't notice the puddle. She was busy unravel-
ling the pavement. She clip-clopped past. She had
serious business. The words in her head were pleas-
ing her. She liked the sun. The smell of meat sizzling
called out to her. Language needed to be parted,
ordered. The children irritated her as they played in the
puddle. They were noisy. It was not her business.
There were no books in the playground, but there
were shapes to things. Sentences combusted. No
one recognizes. The words in her head grew cold.
They needed a rest. Her feet had an idea. She
thought they meant business. She saw herself in
everything and everything was good.
She saw the puddle as pewter. She swallowed it sweet
as figs. She saw it nestled in the cleavage of plum
girls. She held them over her head and cracked their
She saw the universe in the puddle. She saw a slide
show of organic compounds. She saw the key and
the key fit. She saw the genital-less amoeba as a
hero. She put her ear to the puddle but she was no
naive child; she was listening for the rumble of
trucks, not the sweet musing of water beetles.
She waited until winter and when the puddle froze
over, she glided across it. She sat in the summer heat
and was content. She lifted the puddle and slid it
down her arm like pancake. She invited a girl gang
over and drank it. She had no puddles on her street.
She had no street. She leapt over the puddle on
horseback in pursuit. She saw streams of Nazis skim-
ming book black across the surface. She thought she
heard the apostles and so kneeled down to pee. She
dove in, scraping her nose. She had her father drain
all the puddles in the village. She splashed. She leapt
and bombed it with rocks. She floated and toppled
heads of Barbie dolls. She walked around. Then she
walked around again. She heard men flinging mud
and arranged a blanket of oak leaves across the
surface. She did a cartwheel. She knit a scarf out of
the letters R and E which she wound round and
round and round.
Queyras comes up with a phrase that Today's book of poetry has never encountered before when she says that "Lyric Conceptualism's goal is to create openings rather than closures." This quote from the Sira Queyras poem Afterward: Lyric Conceptualism, A Manifesto in Progress is a succinct summation of the idea of these poems. But it doesn't quite address the feeling that they create, this feels like a conversation that all are welcomed to listen to. As robustly feminist as Queyras can quite rightly be, there is no matriarchal man-bashing, compassionate intelligence reigns here.
Kathleen, our Jr. Editor, took control of this morning's reading and made sure to include everyone. Sina Queyras sailed around the room and over our heads like a wise hot-air balloon.
Proverbs of Hell
The body sublime, the heart SUV.
Fuel your plow with the blood of war.
Drive your car on the bones of the dead.
The road of CO2S leads to rising seas.
He who is preoccupied with the afterlife pisses on the present.
So the price of oil goes, so goes the number of wars.
A fool sees product; a wise man sees shade.
He who sullies the earth sullies himself; he who dulls the sun
dulls his senses.
The future is the reversal of destruction.
Even a bee's too busy.
Profits are measure by the dollar, but read profit cannot be
A wholesome food comes in fewer than sixteen pieces from
Prisons are built with the bricks of luxury items.
Let man wear the fell of the hemp see, woman the fleece of
The bird a thought, the spider a path, the mind the means.
What was once proved and known is now only rarely imagined.
What was once used to imagine now operates software.
The rat, the mouse, the starling, the squirrel; the lion, the
tyger, the elephant, the whale -- only the useless, or root
less, survive, otherwise; extinction porn.
The cistern pollutes, the fountain overflows, is of no use to
Once thought filled immensity; now it purchases goods.
To speak your mind is to be unpatriotic; to be human, then,
is to be unpatriotic.
All things imagined must be images of truth; all things
created must be fragments of our imagination.
The eagle never wreaked so much havoc as when he
submitted to the whims of profit.
The eagle provides for himself, but the air provides for the
Want in the morning. Buy at noon. Buy in the evening. Buy
in your sleep.
He who has suffered you to impose on him knows the market.
As the plow follows the markets, so the market follows itself.
The tygers of the market are no wilier than the corporate dogs.
Expect poison form the standing mind.
The coals of Wall Street, the bricks of despair, the last drop,
the last grain.
As the cat chooses the warmest place to curl her bones so the
wise man seeks home.
To create a new kind of flower is the splice of genes.
The best wine is the oldest, the best thought is the first.
Cheerfulness is the hammer of the right.
The expressway is a straight line, but the crooked road
remains the road of genius.
Where man is, nature is bereft.
Where nature is not man, is not known.
Where nature is not natural, man is not man.
As a dog returns to his vomit, so a citizen to his belief in
More is destruction.
Less is the wisdom of the future.
Abundance is all context.
The end of thought is the end of man is the end of earth.
In absentia, in absence, in obsolesce, or obnoxious.
Where nature is, man is not enough.
Enough, or too much. Too much.
Go forth and undo harm.
Go forth and do.
How's that for a taste of the menu. Queyras bounces around ideas like cartwheeling jackhammer.
Barking & Biting is the first poetry by Queyras that Today's book of poetry has encountered but we'll certainly be searching for her others now.
ABOUT THE AUTHORSina Queyras is an accomplished poet and essayist. She edited the first anthology of Canadian poetry published by an American press (Open Field: 30 Contemporary Canadian Poets). Between 2005 and 2007 she co-curated the path-breaking feminist Belladonna* reading series in New York and was instrumental in bringing Canadian and American poets into conversation. She has published six books of poetry and a novel, Autobiography of Childhood (2011). She received the Pat Lowther Award and a Lambda Literary Award for Lemon Hound (2006). Her most recent book of poetry is MxT (2014).
ABOUT THE EDITORErin Wunker is the chair of the board of the national non-profit social justice organization Canadian Women in the Literary Arts (CWILA) and co-founder, writer, and managing editor of the feminist academic blog Hook and Eye: Fast Feminism, Slow Academe. She teaches Canadian literature and culture at Dalhousie University. Her book The Feminist Killjoy Handbook will be published in the fall of 2016.
This video is from Fred Wah's Parlimentary Poet Laureate Series.
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